A Frisbee By Any Other Name?

In reading news of the passing of Fred Morrison, inventor of the Frisbee ®, I was surprised to learn that the Frisbee wasn't always called "Frisbee."  Morrison sold his rights to Wham-O in 1957 ("sold" being used loosely -- he apparently earned more than $2M in royalties).  Morrison had dubbed earlier prototypes of the flying disc with the following names:  the Pluto Platter, the Whirlo-Way, and Flyin-Saucer.  Morrison's reaction to Wham-O's name of Frisbee?  "I thought the name was a horror."  He later recanted.   According to CNN, Wham-O's inspiration for the Frisbee name was the Frisbie Pie Company, whose pie tins were apparently used by college students as early flying discs. 

So, let the speculation begin:  how much is the success of the Frisbee due to the name, and how much is due to everything else (design, functionality, enjoyment, etc.)?  Although it is probably impossible to ever know the answer, I submit that a good name is probably worth at least 10% of sales.  (The above reports peg sales at 200 million units.)  Is there a rule of thumb in the marketing industry for this, or is anyone aware of any studies that have attempted to quantify this?  I also note that Frisbee is a solid, almost staccato two-syllable word, like iPod, Apple, Sony, Honda, Nike, Kindle, and many other popular brands that seem to have staying power.

By the way, you want horror?  How about the horror of this:  point your browser to frisbee.com.  Go ahead, try it.  As of this writing, it redirects to this page--a big pay-per-click page of flying disc ads, none of which mention "Frisbee."  The page is titled, FLYINGDISCS.ORG, with the subtitle, "Ashes fly back into the face of him who throws them."  Sounds like there may be some bad blood there!

I should also point out the "horror" of the name "Frisbee Golf," both from a trademark standpoint and as an avid player in the game of disc golf.  While I am generally a fan of Wham-O products, I think Wham-O was a little late to the modern incarnation of disc golf and the specialized discs used in the sport, which are substantially smaller and flatter than a traditional Frisbee disc (think Ultimate Frisbee) with a heavy, hard rim.  I daresay Wham-O would not take kindly to the Professional Disc Golf Association changing its name to the Professional Frisbee Golf Association.  (FYI, two of the more popular brands in the disc golf biz are Innova and Discraft.)

And the real geeks can see Morrison's original design patent here, and the later utility patent for the distinctive grooves that appear on the shoulder of Frisbee discs here.  (Distinctive?  Yes.  Trademarkable?  No, because the grooves are functional.  I'll spare you the calculus that explains the aerodynamics . . . for now.)

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The Roar of Tiger Woods in Branding

Tiger Woods drives by Allison.jpg

The impact of the Tiger Woods scandal in branding can be viewed from two different perspectives. The first perspective comes from the point of view of the companies that paid Woods to endorse their products. The second perspective is how the personal brand of Tiger Woods will be impacted as the smoke clears from this series of events.

Two professors in University of California-Davis’ Economics Department attempted to measure the impact from the first perspective. They claimed that shareholders in publicly traded companies that Woods endorsed lost $5-12 billion in the weeks that followed the car accident in Florida that set off the scandal. They undoubtedly have an interesting perspective, but there are limiting factors in their research. However, an undisputable fact of the Tiger Woods scandal is that it put a lot of brand management teams in a very delicate situation. Brand managers at firms where Woods served as an endorser had to consider how their brands would be perceived by their target consumers if they were to continue the relationship. It is not an enviable position. 

When a brand chooses to link arms with a celebrity endorser, it must consider which celebrities will be effective endorsers. It is essential to select celebrities that will positively contribute to revenue growth and profitability. I believe that a celebrity endorser is most effective when the target consumer perceives them as attractive or desirable in some fashion and the product is related to the expertise of the celebrity. For example, Michael Jordan was an effective endorser of both Nike and Gatorade because of his status as an elite athlete and the fact that both brands are related to athletic performance. Gisele Bundchen is an effective endorser for Dolce & Gabbana fragrances because scent is an important aspect of appearance and she is the embodiment of phenomenal appearance. She would be far less effective as a celebrity endorser for the Toyota Camry. With regards to Tiger Woods, he is most effective in endorsing Nike Golf products and any other golf related brands. His effect is diminished for brands like Gillette and AT&T.

Each of the brands that employed Woods was placed in an undesirable predicament. This was not a situation where there was one right answer. Each of the brands had to consider how Woods as an endorser fit into their marketing communication strategy. Because each of the brands approached the situation from a different perspective, that is why there were a number of different reactions to the situation. I don't think any brand has made the wrong decision yet in evaluating Woods’ future viability as an endorser.

Nike has made the decision to stay with Woods for the time being. Nike President Phil Knight is choosing to take the long view, as he believes that this incident will be a “minor blip” in the career of Tiger Woods. I fully support Nike's wait and see approach with Woods. Nike took that approach when Kobe Bryant endured consequences for his extramarital affair in 2003-04. Kobe Bryant's situation was more severe, as criminal charges were filed. Eventually, charges were dropped. At that point, Nike and Kobe Bryant resumed their relationship. Nike has shown over time that only athletic performance matters for the most part. From their perspective, off the field issues are relevant when an athlete is convicted of criminal behavior.

Nike has a huge commitment to Woods. Before Woods, Nike’s involvement in golf was extremely limited. Nike Golf has tied itself to Tiger Woods, and Nike is a brand that is defined by excellent athletic performance. Nothing about Woods’ behavior has changed the fact that he is one of the greatest golfers ever. 

Gillette and Tag Heuer made decisions to pull Woods from their advertising campaigns. Neither company has officially dropped him, but both (see here and here) chose to indefinitely suspend him. Both were initially attracted to Woods due to his winning performances on the golf course and they felt that their target consumers perceived that he had a charismatic personality that would benefit the brands. Due to the fact that athletic performance was not the sole reason for Woods’ presence, they wanted to wait and see how this situation would play out. However, they didn’t want to associate with him in the near term, for fear that his presence could damage brand equity.

Gatorade dropped Woods, but PepsiCo said the decision was made before the scandal broke. Gatorade has had a lot of branding problems in the last few years (see here and here). They have much bigger problems than Woods' recent behavior.

Accenture and AT&T both severed relationships with Woods (see here and here). Accenture's decision to drop Woods is unique in the domain of athlete endorsement. Companies will usually not terminate deals unless criminal charges are filed. Companies are prepared for behavioral contingencies, as most endorsement deals have a "morals clause". The "morals clause" likely helped Accenture escape the contract. Accenture strongly tied itself to Woods, a strategic decision that has to be questioned. Tiger Woods doesn’t have expertise in aspects of management consulting, a primary function of Accenture’s business. They also based their ad campaign around the slogan, “Be A Tiger”. "Be A Tiger" doesn't bring up as many positive connotations as it once did. As for AT&T, they dropped him, giving no indication that there will be a future celebrity product endorsement relationship. The AT&T logo is highly visible on Woods’ golf bag and they also sponsor the Tiger Woods Golf Tournament. AT&T is not primarily attracted to Woods the athlete, so it was a simple decision to let him go.

The second perspective of Tiger Woods concerns Woods’ ability to earn money in the future as an endorser. The events of November & December 2009 turned Tiger Woods from an ordinary, albeit highly talented golfer into a Mike Tyson-esque side show. Very few celebrities have fallen as far and as fast of Woods. Nevertheless, it is important to note that Woods didn’t do anything illegal. Extramarital affairs are commonplace. As a result, the Tiger Woods brand will survive as long as he remains one of the best golfers on the planet.

A good precedent for the current situation with Tiger Woods is Kobe Bryant. In 2003, Kobe Bryant had an extramarital affair and sexual assault charges were filed. In 2004, those charges were dropped. Kobe Bryant has been able to secure endorsement deals in the ensuing years. However, Bryant has not been seen endorsing McDonald's and Sprite, brands that are intended for wider audiences. I ultimately believe that Woods will remain a valued pitchman for brands where only athletic performance matters. Brands that take into account personal behavior will shy away from him for the foreseeable future.

Woods’ recent behavior has gotten him one job offer. Movie director Todd Phillips, best known for directing “Road Trip”, “Old School” and “The Hangover”, has offered Woods a role in “The Hangover 2”. This makes the aforementioned comparison with Mike Tyson even more apt, because Mike Tyson had a hilarious cameo in “The Hangover”. Also, an actual tiger played an important role in the plot development of “The Hangover”. However, I don’t believe that Woods will accept Phillips’ gracious offer. He and his PR team probably do not believe that “The Hangover 2” is an appropriate venue for image rehabilitation.

The steps that Tiger Woods takes to rehabilitate his personal image will determine how successful he will be in luring companies to pay him to endorse branded products. I believe that image rehabilitation is certainly a realistic goal. Other celebrities have bounced back from more devastating circumstances. Kobe Bryant went from having sexual assault charges filed against him as a result of an extramarital affair to earning $16 million in endorsements in 2007. Baltimore Ravens linebacker Ray Lewis pled guilty to obstruction of justice in a murder investigation and was able to secure endorsements after his plea agreement. The common thread between Bryant and Lewis is that they continued to be among the best players in their respective sports. If Tiger Woods remains a dominant golfer after his self imposed hiatus and he is able to downplay stories about his life off the golf course, he will receive lucrative endorsement deals in time. The roar of Tiger Woods will continue to be heard in the branding universe.

David Mitchel, Norton Mitchel Marketing

G Doesn't Grasp Successful Marketing

Mark Image

In November, I wrote about how Gatorade’s 2009 re-branding as G has been a complete failure. G was an ill-conceived approach to slowing sales in 2007 and 2008. It damaged brand equity, confused consumers and didn’t reverse the trend of falling unit sales.

In the final paragraph of my last blog, I noted that PepsiCo CEO Indra Nooyi said the company is planning a “massive Gatorade transformation” for 2010. I recommended that Gatorade should follow the model of Coca-Cola when they decided to retire New Coke. By doing this, Coca-Cola admitted their mistake and moved on by hitting the reset button on their brand.

Initial details of PepsiCo’s 2010 “massive Gatorade transformation” have been made publicly known here, here and here. Gatorade’s brand strategy for 2010 seems mediocre. Although they are making some positive changes, other moves indicate that they still don’t understand how to successfully market their brand.

I commend Gatorade for shifting their philosophy in 2010. In 2010, they will redefine their target consumer. Their 2010 efforts will focus on the serious athlete that desires peak athletic performance. This is closely aligned with their origins. For many years, Gatorade has tried to widen their audience, and not succeeded. It is very difficult to be all things to all people, and a laser focus on a specific group of people is a strong strategic approach.

The best decision that Gatorade made for 2010 is to remove high fructose corn syrup from all of their products. A few years ago, Gatorade changed the sweetener from sugar to high fructose corn syrup. The nutrition value (or lack thereof) of high fructose corn syrup has been intensely debated in recent years (here, here and here). Many attribute high fructose corn syrup to causing higher rates of obesity. It is not smart strategy to use an ingredient that can be perceived as harmful to health, particularly when your target consumer is athletic and health conscious. This move gives Gatorade a competitive advantage over chief category rival Powerade. High fructose corn syrup is an ingredient in Powerade products other than Powerade Zero (low calorie version). It also falls in line with the Coca-Cola model of returning a product to the original formula.

Gatorade is planning to revamp their packaging, for both G and the lower calorie G2. Packaging was a key reason why Gatorade struggled in 2009. Consumers did not recognize the nebulous “G” packaging and had no perceptions of the meaning of the “G” brand. The decision to redevelop the packaging is correct. The execution is likely to be a failure. Recently, PepsiCo has redesigned the packaging on the Pepsi line of products and Tropicana. Both redesigns were poorly conceived and executed. There was such a strong backlash against the Tropicana redesign that PepsiCo quickly reverted back to the old packaging. With regards to Gatorade, the only acceptable package redesign is a reversion to classic Gatorade packaging. If the packaging does not resemble classic Gatorade packaging, they will be wasting time and money.

The worst aspect of Gatorade’s 2010 marketing strategy is the expansion of the product line. A product line extension should accomplish at least 1 of the following 2 things: expand the size of the market and/or expand the number of a brand’s product offerings that a given consumer purchases. Gatorade’s line extension will not accomplish either.  By adding the “Prime” and “Recover” beverages to the existing product line (G and G2), Gatorade now has at least 4 distinct segments of their product line. It is bound to cause consumer confusion.  Generally speaking, it is difficult for consumers to perceive how the brand’s multitude of products is going to benefit them. Because of this confusion, consumers are more likely to choose a simpler alternative. This strategic problem is augmented by the current economic climate. Asking the target consumer to adopt product line extensions in the worst recession since the Great Depression is a recipe for disaster. Through this decision, Gatorade is showing how out-of-touch they are with their target consumer.

Gatorade’s stubborn refusal to return to its roots and provide simplicity in its branding strategy will continue to damage brand equity and negatively impact revenue. In the first four decades of its history, Gatorade had all of the makings of an iconic brand. The product was consistent, as well as the overall themes of the marketing communication messages. Consumers perceived the brand as valuable in its category. This is similar to iconic brands such as McDonald’s, Nike, Budweiser, BMW and Crest. Coca-Cola also fits this description, with the exception of a period of temporary insanity in the mid 1980s. Coca-Cola remains the best precedent for Gatorade, but Gatorade continues to reject their methodology in restoring a classic brand after an ill-conceived revitalization.

David Mitchel, Norton Mitchel Marketing

Don't Expect This to Have Tiger by the Tail...

 Tiger Woods drives by Allison.jpg

Tiger Woods’ scandal proves once again that celebrity gossip mongering is a blood sport. The bigger the celebrity, the more the blood will flow. In Tiger’s case, he can open up a blood bank. Though it’s unlikely to reach the insanity that was unleashed when Michael Jackson died last summer, it will take the feeding frenzy to a new, all-time low, not because of his marital infidelity, but because of his immense stature as an iconic personality and global brand.

Our addiction to sycophantic enabling of celebrity bad behavior is beyond the pale. We reward and celebrate mediocrity. We give a moral equivalency and equal airtime to those knowingly doing the wrong thing. The discussion isn’t about right versus wrong anymore, but instead the takeaway is “don’t get caught!” Woods’ actions aren’t praise-worthy, but the punishment meted out in the court of public opinion of his private, personal situation is off the charts. Tiger’s poor job at managing the damage control process seems to be as big an affront to the public as what got him into this position.

His off-links activities are irrelevant to the golf world in the scheme of what he has done for the sport in the past 15 years. Let’s remember he plays golf and doesn’t hold elected public office. He didn’t impugn the integrity of his sport by betting or use performance enhancing drugs. Does Tiger Woods deserve to be vilified like O.J. Simpson, Eliot Spitzer, Mark Sanford, John Edwards, Bill Clinton, Marv Albert, Pete Rose, Alex Rodriguez, and many others?

I don’t play golf, and I’m not a Tiger Woods fan, but his accomplishments on the golf course are both incredible and undeniable. I wouldn’t defend his actions. He hurt himself, his wife and their children. But not us, and certainly not the media. We have no stake in this, and he owes us nothing. Tiger Woods is hardly the first mega-star caught in mess of his own making, but I’ll bet that his public image and marketability will come out of this a lot better than most people think. A little proportion and perspective will bare this out.

Does Tiger’s bad judgment pale in comparison to past superstar athletes embroiled in scandals such as Michael Jordan and Kobe Bryant? Yes. Remember Michael Jordan’s sudden “retirement” from the NBA back in 1993 was widely believed to be due to his gambling problems? He returned two years later to lead the Chicago Bulls to three more NBA titles, and then, despite the public nature of his messy divorce, his Nike brand continues to be a global powerhouse.

Kobe Bryant was on trial in 2004, accused of sexually assaulting a woman. He admitted to having an adulterous encounter with the accuser, but denied the sexual assault allegation. The case was dismissed when the woman refused to testify, and a separate civil suit was settled out of court. As a result, his endorsement deal with McDonald’s was cancelled. In retrospect he emerged relatively unscathed.

Once the trial ended and the story faded, the deal with Nike he signed prior to the trial was put on hold for two years before Nike began promoting his line of basketball shoes. Bryant’s reputation rebounded and was rehabilitated to the point that he now endorses Coca-Cola’s Vitamin Water brand and Guitar Hero World Tour. By 2007, CNN estimated Kobe Bryant’s endorsement deals at $16 million a year. Another NBA trophy for Kobe and the sky will be the limit again.

Last year, U.S. Olympic multi-gold medalist swimmer Michael Phelps lost his endorsement deal with Kellogg’s over his publicly photographed pot smoking. Cheating is sheer stupidity, and smoking pot isn’t any smarter, but it’s still against the law. Kellogg’s did the right thing. Phelps’ bong hit sent the wrong message to kids. His actions were more about youthful indiscretion than anything, and the punishment of losing his lucrative deal fit the crime. His marketability is still on the upswing. Add a few more gold medals in 2012 and no one will remember his misstep.

Martha Stewart went to jail for income tax evasion, and at the time, was vilified as a heinous individual and has since reinvented herself as a kinder, gentler Martha. Her “brand” bounced back with little-to-no damage and is stronger than ever. She cheated, got caught and paid the price by going to jail. Now she’s perceived as being a far less polarizing individual, and her marketability continues to grow. Perhaps as a result of her incarceration, the public is willing to forgive when celebrities are as flawed and human as the rest of us. It brings them down to our level and closer to us in many respects.

It’s no stretch to believe Tiger Woods will keep a low profile, sponsors will keep their Tiger ads and TV spots in cold storage and eventually, he’ll re-emerge publicly and professionally to continue his career as arguably one of the greatest golfers of all time. When everything is forgotten, he’ll get even more lucrative endorsement deals as a result of his prowess on the links. Until then isn’t Tiger Woods entitled to the same consideration we get at work? “So long as your personal business doesn’t affect your performance on the job, then it’s a non-issue.”

-- Joel Kirstein, Creative Director, CPG/Shopper Marketing

Don't Underestimate the Power of a Logo and Other Distinguishable Matter

Yesterday, Under Consideration's Brand New Blog discussed the redesign of the Nickelodeon trademark. Nickelodeon has decided to drop the well known splat design that encapsulated the NICKELODEON term. As reported by Under Consideration, Nickelodeon’s “splat” has existed in one form or another for over 15 years. Although the orange “splat” has evolved over the years, it was a recognizable symbol of a Nickelodeon product. 

This leads to an important issue, designs are important branding tools. Trademark law argues that the words are the most dominant portion of a trademark because it is the element that consumers use to ask for the goods or services. However, this is not always true. Often times, the word portion of a mark is subordinate to the design component and consumers rely on the design or other matter to identify the source of the goods or services. Good examples include the Nike swoosh or the Under Armour “UA” design. But a design or non-traditional trademark does not need to reach the status of Nike of Under Armour to have a significant market affect. A good example is Christian Louboutin women's shoes. Most people do not know the brand of any women’s shoe at first blush, but most people recognize the red sole. Well, Christian Louboutin has federally registered the red sole of these shoes. Therefore, it is important not to overlook or discount the branding power a design can have and it is worth considering the highest level of protection for this element of a trademark.

Pros and Cons of Stand-Alone Non-Verbal Logos and Other Trademark Styles: A Legal Perspective

As promised earlier this week, in my post entitled "Without Words, But Not Speechless: More On Non-Verbal Logos That Can Stand Alone," here is my effort to identify, from a legal perspective, some of the pros and cons of non-verbal logos and other trademark styles. 

But, before addressing the legal implications, it is worth noting that a number of our insightful readers and commenters already have helped articulate a variety of pros and cons from a business and marketing perspective, here. By my count, there appears to be consensus on at least two important points: (1) Having an iconic stand-alone non-verbal logo or wordless trademark symbol is highly desirable, especially for truly international brands; but (2) be prepared to spend a lot of time, effort, and significant resources to achieve one.

In addition, at least one designer has written that having a logo without words "can be a big branding pain," for a variety of reasons. She identifies three basic logo styles: (1) Text logos; (2) symbol logos; and (3) combination logos. Examples of text logos would be the Coca-Cola script, the Yahoo! stylized word, and the Google stylized word, all three illustrated in my earlier post. The highly stylized Ebay logo is another good example of a text logo. On the other hand, the Shell logo, McDonald's Golden Arches, and the Nike Swoosh, are all good examples of symbol logos. In addition, here is a message board collecting a number of other possible candidates for symbol logos that are capable of standing lone -- without words -- yet, they still have a lot to say to consumers. Many of them, in fact, were mentioned by commenters to my prior post.  

Anyway, the designer referenced above contends that for a variety of reasons, combination logos often make the most sense. According to her, a combination logo "combines both a symbol and the company name. The symbol and text can be integrated together, side by side, or with one located above the other."

Generally, from a trademark owner and legal perspective, I prefer the combination logo too, but not the "integrated" type, instead the "side by side" type or the "one above the other" type. The Mercedes-Benz combination logo shown below nicely illustrates the "one above the other" type of combination logo:

Why do I generally prefer this type of trademark logo format and style?

Well, in general, this format and style is more flexible, easier to clear for adoption and use, easier to register and protect each element separately, and easier to enforce rights in both verbal and non-verbal elements.

With respect to enhanced flexibility, a trademark owner can elect to always use the verbal and non-verbal elements together, perhaps as a way of reducing the risk of infringing on another's prior rights in a mark perhaps similar to either the verbal or non-verbal element, or as Jack Cuffari commented, the combination logo is the "best-case scenario" because it is possible to "wean the symbol away from the name once research has proven that the target audience gets the connection, so that the symbol can be used alone, or in conjunction with the brand name."

Indeed, few symbol logos spring into existence without a history of having been used side by side with the underlying brand name, so, the symbol adopted by the "Artist Formerly Known as Prince" is probably the best exception to this general rule:

prince_symbol2  

With respect to ease of clearance, it is generally less of a challenge to clear physically separable combination logos over text logos or integrated combination logos, since the Mercedes-Benz verbal portion involves a straightforward word search, and the corresponding three-point star within a circle symbol involves a straightforward design search. In fact, it is often more difficult to obtain a comprehensive and reliable trademark search report for a proposed text logo or an integrated combination logo as compared to a symbol logo or a physically separable combination logo. Because of design coding challenges, it is easier for a trademark searcher to locate prior marks of potential concern when one's proposed logo comprises a stylized star or shell design than a text logo that may be unknowingly or unintentionally similar, not to the word, but to the color combination and lettering style employed by, say, Coca-Cola, Yahoo!, Google, or Ebay:See full size image 

 

 

For more information on the importance of trademark clearance, see my previous post entitled "Look Before You Leap! The Dangers of Not Clearing Brands Before First Use."

With respect to ease of registration, if the brand name is physically integrated and part of or even touching the non-verbal design elements, in many cases, the non-verbal design elements cannot be separately registered as a trademark. To register the non-verbal design elements of an integrated combination logo, it must be shown that those non-verbal elements actually perform a trademark function to indicate source separate and apart from the verbal element. This can be difficult to establish if the verbal element is always present within the design. On the other hand, the Trademark Office views a non-integrated combination logo as comprising at least three different marks, each of which may be registered alone: (1) The word or words; (2) the non-verbal symbol; and (3) the combination of verbal and non-verbal elements. By being able to register each element separately at the outset, even during a time when they are always used together, it facilitates the trademark owner's ability to eventually "wean the symbol away from the name" with added confidence. 

For more information on the importance and benefits of federal registration, see my previous post entitled "The Power of Federal Trademark Registration Remains Strong in Tough Economic Times."

With respect to ease of enforcement, assuming each element of a physically separable combination logo has been registered, enforcement is enhanced too, for the reasons already stated above. Having each element registered separately, eventhough they may only be used together, permits the Trademark Office to refuse registration of later marks that are confusingly similar to either the verbal or non-verbal element. In the event the Trademark Office doesn't see a conflict for some unexplained reason, the non-integrated combination logo format also enhances the trademark owner's ability to challenge registration of another's mark that may not be confusingly similar to the combined elements, but to one of them.

Virtual Opportunity

 While salivating over the most recent installment to the Tiger Woods Video Game Franchise, Tiger Woods PGA Tour 10, my mind began to wander towards product placement. I suppose it is a natural extension that a game which allows players to play “real” courses would logically allow players to purchase “real” apparel and equipment with tournament winnings.

 

Screen Shot from Tiger Woods '10

Now, product placement, generally, and product placement in video games, specifically, are not new concepts. However, the way in which companies are able to target and control their message through placement is becoming increasingly sophisticated. For example, we have already evolved from movie placement and early video game placement, where the interaction between the consumer and the brand was largely just a passive viewing, to highly interactive placement, such as an the Tiger Woods’ series, where the player is able to interact with the brand by playing with the branded equipment.

This type of product placement represents yet another example of how virtual worlds can affect real world brands. (I blogged earlier on virtual infringement here.) The case with Tiger Woods Golf is particularly compelling because not only are the products “placed” in the game, they also have distinct performance characteristics which could color the players perception of the actual brand. Players could be developing opinions about the effectiveness of gloves, shafts, grips, irons, wedges, drivers, putters, balls, shoes, etc. without ever having seen the real world item. This could be affecting their opinions of major brands such as Nike, Callaway, Taylor Made, Titleist, Cleveland, and Odyssey (among others).  Moreover, the stakes are rising with the fact that there is likely significant overlap between Tiger Woods golfers and real golfers.

I guess the moral, simply stated, is that virtual space = opportunity.
 

Van Halen Sues Nike

Last month, Eddie Van Halen's company, ELVH, Inc., filed a lawsuit against Nike for copyright infringement.  The complaint alleges the above-depicted model of Nike's Dunk Low shoes infringe his copyright in the red, white and black striped Frankenstein guitar design.  The lawsuit is seeking not only profits from Nike’s sale of the shoes and damages, but also the destruction and impoundment of all shoes in question.  Nike issued a statement denying the charges. 

The real kicker in this case?  Eddie Van Halen recently introduced his own line of tennis shoes, EVH, incorporating the same Frankenstein design.   Interestingly, as one online news magazine pointed out, the EVH shoes bare a striking resemblance to the Classic Chuck Taylor tennis shoe by Converse, a subsidiary of Nike.  My advice to Eddie would be to Jump from this train while he still can. 

Just Verb It? A Legal Perspective on Using Brands As Verbs: Part I

There is a growing interest and, quite frankly, a dogged persistence among branding professionals to select brand names that have the ability and potential to be "verbed." This makes trademark attorney types nervous and those of the "Dr. No" variety actually become unglued.

So, why the emphasis or fascination with verbs anyway? The answer apparently can be found in the definition of a verb: "A verb is a doing word (helping, grabbing)." This feature is appealing to marketers. In addition, some argue that "verbing" a brand extends its reach through effective "word of mouth branding." Some feel so strongly about the marketing benefit they argue that "having the public utter your company name as a verb is like going to heaven without the inconvenience of dying. Getting 'verbed' is the ultimate accomplishment for any brand -- the marketer's Shangri-la."

As marketing maven Seth Godin argued as early as 2005: "Nouns just sit there, inanimate lumps. Verbs are about wants and desires and wishes." Given that limited binary choice, David Cameron's recent and thoughtful "Brandverbing Brands" post on his OnBrands Blog, asks a reasonable question: "Wouldn’t you rather have your brand in the latter category?"

I'm wondering and you might be wondering too, what happened to door number three? We'll get to that, patience.

Now, as David correctly notes, the desire by marketers to treat brands as verbs is not new, and as I might add, it does not appear to be going away anytime soon. Apparently, Karl Speak's Brand Tool Box proclaimed in 2005: "Brands are verbs, not nouns," a statement in direct conflict with Al and Laura Ries' "The 22 Immutable Laws of Branding," from 2002, where they write: "A brand name is a noun . . . ." (As a side note, back in 1989, it was suggested by Nancy Allison that when a noun is "verbed" you end up with a "nerb"). Just so you know, in general, the law views brand names and trademarks as adjectives, not nouns or verbs, so kudos to Nancy Friedman of Fritinancy to recognize this important point.

As a result, door number three reveals at least one false premise of the argument, it seems to me: A brand name is not a noun, but rather, an adjective. Nike footwear, for example. Adjectives modify nouns and pronouns, "giving more information about the noun or pronoun's referent." Nike is a brand name infused with meaning, and it serves to modify and give life and further meaning to and information about the inanimate and lumpy noun and generic product we call "footwear." So, what's wrong with adjectives, don't they have any marketing muscle? Personally, I have always found adjectives to be very compelling when storytelling, and isn't that what branding is all about, telling a story?

At any rate, despite this possible flaw in the argument, the obsession to "just verb it" and the tidal wave of marketers encouraging the use of brands as verbs continues. SEO Black Hat wrote about "brandverbs" back in 2006, Mapping The Web// Blog wrote about "brands as verbs" in 2007, Marty Schwimmer confirmed the marketer's desire for "verbable names" in June 2007, Radiant Brands wrote about "Brands That Are Verbs - When the Brand Becomes An Experience" in April 2008, and That Other Blog, Way Over There, wrote about "brandverbing" in December of 2008, immediately followed by Lori Senecal's article in Adweek: "The 'Verbing' of Brands." In January of 2009, Alex Mandossian wrote favorably about "getting verbed" in "Why is Google Unhappy About Getting Verbed?" In addition, 15 Ideas Blog wrote about "When Brands Become Verbs" in April 2009, Shooting Bubbles wrote about "verbing up" in May 2009, and just a few days ago Richard Curtis wrote about "verbing up" in "You Can Google Bing, But Will You Bing Google?"

David Cameron, at least, recognizes: "I’m sure the lawyers would strongly caution against 'brandverbs'…" He's right, the International Trademark Association offers these guidelines on proper trademark use to trademark owners and those in the media: "NEVER use a trademark as a verb. Trademarks are products or services, never actions." INTA provides this example: "You are NOT rollerblading, but in-line skating with Rollerblade in-line skates." It also offers this test: "A good test for correct usage of a trademark is to remove the trademark from the sentence and see if the sentence (generic) still makes sense. If it does not then you are potentially using the mark as the descriptive term or as a verb and not as an adjective followed by a noun as you should." Why? To prevent brand names and trademarks from becoming generic names and part of the public domain for anyone to freely use, even competitors. (You may recall my prior Rollerblading post).

The challenge for trademark types and trademark owners is that many marketers are not listening to these cautious admonitions. As a consequence, trademark types will need to be increasingly more and more creative in their approach to mitigate the risk of the brand not only going to marketing heaven, but dying a sudden death immediately thereafter.

Stay tuned on DuetsBlog for Part II of this topic, coming soon.

Non-Verbal Logos That Can Stand Alone, And One That Can't

Even young children understand the power of brands and trademark symbols before they can read.

Years ago, when my children were at the ripe young age of wondering (and maybe caring) what my job was, I'd try to explain the kinds of things a trademark attorney might do. Of course, I didn't tell them some view trademark types as "the most basic figure." 

It took a while to find a message that stuck with them. What finally got through was when I posed a hypothetical question, asking whether they liked eating at the Golden Arches, and what they would think if they couldn't get a Happy Meal there because it wasn't McDonalds after all, but some other restaurant using the Golden Arches too. They were outraged this could ever happen.

So, the Golden Arches can probably stand alone.  

Here is another non-verbal logo that can truly stand alone:

Nike Swoosh logo

Yes, it functions as an exceedingly strong and probably famous brand and trademark with no further explanation or word mark to support it (and to not undermine my point, I’ll refrain from uttering the four letter brand name firmly linked to it in our minds).

What do you think about this one?

 

(As you may recall, Dan previously posted on a different topic related to this logo here).

I’d respectfully suggest that when the hang-tag attached to the luggage item bearing this logo is closely supported by a lot of words like SWISSGEAR, WENGER, and FROM THE MAKER OF THE GENUINE SWISS ARMY KNIFE, the logo is having a tough time standing alone and probably needs a trademark support group.

By the way, anyone notice the resemblance to the flag of Switzerland?

How about the International or American Red Cross?

Last thought, for now, concerning non-verbal logos, really:

Don't brand owners need to "name" their non-verbal logos, especially those that "stand alone," otherwise how can anyone spread the word, so to speak?

For example, Nike seems to have figured this out, owning federal trademark registrations for the word SWOOSH (in connection with footwear and clothing items), separate and apart from what is known as the "Swoosh" Logo. 

McDonalds similarly owns a federal registration for the words THE GOLDEN ARCHES for restaurant services.

I'm not sure there is a suitable, brief and unique name for the Wenger logo shown above, perhaps that is part of the reason for the "FROM THE MAKER OF THE GENUINE SWISS ARMY KNIFE" tag line?

Wenger describes their non-verbal logo in recent trademark filings this way: "The mark consists of a chrome colored cross on a red square with rounded edges, outlined by a chrome colored square with rounded edges."

I think this just proved my point.